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Showing posts with label Education. Show all posts
Showing posts with label Education. Show all posts

Wednesday, April 13, 2011

Design Studies: I Propose To Look To The Future

Why

For the last leg, we had to combine our efforts throughout the year including the research itself, the methods learnt through the likes of service design tools, the science of ethnography and our investigation into semiotics as designers, and create a final research proposal; thus creating a miniature version of the journey taken when writing such papers as a dissertation. I have to say, it's not half as bad as I would of expected, and have actually enjoyed several aspects of it, particularly ethnography and semiotics. Both help develop your approach as a designer be it from any discipline, as the principle remains the same - thoughtful design makes good design, and these are the things that help you engage with the user. I have learnt so much from this perspective, and as silly as it sounds I had previously not considered the consumer and or user half as important as they are. This ironically lead me to understand that understanding in itself is absolute key when designing for anybody other than yourself.

So, throughout this academic year I have been looking at how to engage the user in terms of advertisement. As I have previously stated, I have been asked to derive a research proposal from this, with specific regards to our individual disciplines. Advertising however, is an across the board topic, so I shall take a more personal outlook on the following, rather than a generalised I&ED outlook. I have linked in my previous posting throughout, as well as at the end of each category (although renamed the postings to fit the context).

Related Posts:
Design Studies: Service Design Tools
Design Studies: Ethnography
Design Studies: Semiotics
Design Studies: Final on Viral Advertising

Who

I would seek to explore what exactly it is that gets a graduate into practise other than their qualification(s) - as due to our current economic climate, employment is becoming increasingly difficult for inexperienced designers to successfully pursue. It is common knowledge that it is extremely difficult to land an internship during their academic years, and post-graduation it is becoming exponentially difficult to achieve employment with little or indeed no experience what so ever. Practices and companies are cutting back budgets, making already employed people redundant, let alone creating new positions for inexperienced yet professional designers. So my question is, how can you combine viral advertisement and innovative marketing strategies with the lengthly task of seeking graduate employment?

During one of our lectures this year, Lauren Currie (known in the realms of the internet as @RedJotter) suggested something that has stuck in my mind. She suggested that those seeking internships should not call a practise they were interested in, but rather actively go in and ask. She proposed we ask one of the members of staff out for coffee, and be that person who goes and enthusiastically requests experience. Her outlook was to be forward about these things, and not to back down if you were shown the door.


Related Posts:

What


But what else can be done? Surely there is more to this than hopelessly doing the rounds of companies in a lottery type fashion, hoping one day your numbers might just come up. Starting off small with things such as a "blog flyer" is all very well, but I would like to investigate into what makes a person memorable, what you can do to create a stir, and how can you become your own viral advert "epidemic"? I recently did a post on innovative CV ideas, which could be an aspect incorporated into your very own guerrilla marketing technique. How do you sell yourself as a new brand that everyone needs? Similar to as described in Gladwell's The Tipping Point, how do you make yourself sticky?

The BBC reported that only 13% of creative arts graduates found employment within the first six months of graduation.  The Guardian also reports on employment statistics for 2010. How do you ensure you fall into the right category within those statistics? In order to tackle such a never ending issue for graduates around the world from multiple industries, but more specifically those within the design sector, how would I propose I investigate this?

This is a real issue and unfortunately has real consequences, with The BBC unfortunately also reporting that design has one of the lowest employment rates, showing graduate unemployment at a 17 year "high".

Related Posts:
Design Studies: Blog Flyer
Design Studies: What Makes A Person Memorable
Design Studies: Creating A Stir
Design Studies: Creating Your Own Viral Ads
Design Studies: Innovative CVs

How

How do you extract the reasons one graduate is employed, while a similarly qualified, aged, and experienced graduate may not quite cut it? What is it that propels yourself from run of the mill nobody, into sought after fresh meat on the market? I propose that in order to find this out, studies would have to be created to analyse successful candidates qualities versus all applicants qualities, along with sought after free lance designers that provoke employers to come to them. Further to my previous research that suggests irrelevant stunt like attention seeking marketing strategies may work well, I would like to examine wether or not this would be appropriate for self supported viral marketing strategies, or if a strong brand ethic is required prior to tackling the irrelevant viral advert market. I propose that a ethnographic based survey be taken, paying particular attention to the trends seen on the likes of such social networks as Twitter.

If a selection of newly graduated design students were to be followed for the crucial first 6 months after graduation, would those who actively use their Twitter to make new connections be the first to be employed?

If all current fourth year I&ED students were to be followed for the initial period after graduation, who would be employed first and by what means?

I would also propose to contact design practises and actively seek the answers as to how they tackle the process of selecting a new employee, and the ways they instantly cut down applications from everything to the "select few". For example, Think Vitamin explains why they hired a new designer.

Sunday, April 3, 2011

Design Studies: Summer Reading Material & Other Plans

Part of our last assignment for the year with regards to Design Studies is to identify 5 books I will read as a result of this module, 5 things I want to do to my blog etc. and 5 people I will make contact with.

These include (and have already purchased some):

- Blink - a book by Malcolm Gladwell, the author of first semesters read "The Tipping Point".

- Semiotics: A Graphic Guide by Paul Cobley, as I found semiotics very interesting.

- Designing Infographics by Eric Meyer, I have become increasingly interested in infographics and data visualisations as a result of several paths during Design Studies and would like to learn how to incorporate this clean presentation style into my future projects.

- I plan on investing in several of the books in the series for my course anyway, however Basics Design offer one called Design Thinking, which is something I need to consider more deeply, namely the user and the effect a design can have on it's surroundings as often we get caught up on the aesthetics only (stemming from reading about ethnography).

- Wordpress for Dummies by Lisa Sabin-Wilson. This sort of leads me into my next top 5 catagory of what I plan to do over summer, and as you tell, regards moving over to Wordpress very slowly but surely.

All of these are available on www.amazon.co.uk.

The 5 things I plan to do over summer are:

As I am already an avid blogger and tweeter, I have not added these to my list as it is something I already regularly do.

- I do plan however, to move from Blogger to Wordpress over summer, and archive my posts.

- Finances permitting, I'd also like to take a short trip to The Netherlands to visit, along with visiting Norway (which is already booked), allowing me to visit their Architecture & Design Museum, as well as possibly visiting a Jewellery exhibition as I plan to travel with JMD student(s).

- Complete my LinkedIn profile and begin to use this more thoroughly.

- Organise my Flickr account into a more manageable system, along with updating it with recent albums.

- And finally, StumbleUpon more things every day - and as a result try to blog about a new find at least once weekly.

Finally, 5 people I would like to make contact with:

- HKU Utrecht if I am lucky enough to be invited to apply directly to them for an exchange opportunity.

- Continue to follow people on Twitter, while always looking for new companies and designers to follow. (I currently already follow most guest lecturers from this year's lectures etc.)

- Although it would not be a new connection, I plan on staying in contact with our current 4th years, keeping up to date with their job prospects and life as IED graduates, hopefully giving me an insight into life after DJCAD.

- Aim to get published by finding an amateur online design magazine, and make contact about perhaps submitting an article.

- Get, and start using Skype - as suggested by Lauren Currie (@RedJotter) some weeks ago.

EcoOffice: Easter Break & Deadlines

Quick update - the current project is going well.

It's now the Easter holidays, although by no means will this be a holiday as the deadline is on the 2nd May.  This means as I now plan into my final decent, I need to make final decisions upon how to present it all. We have been informed that it is not necessary to produce a scale model, but for those of us with presentations lacking a model, we must produce other scaled representations. In this case, I do not intend to build a model as my design has developed into a dense space, making a model too time consuming to do to a standard I would be happy with, not to mention being of little use as it would not be sufficiently viewable. I have chosen to provide plans that will be printed and displayed separately, along with an exploded axonometric, and an isometric showing colour coded departments.

The remainder of our materials fee which is paid annually will be put towards our printing costs, totally 2 A0 sheets, and for a small fee we can opt for a third. As I plan not to make the model, I will continue onto a third presentation sheet.

I am currently battling the baffling realm that is rendering software, which I have a feeling may continue on for some weeks yet.

Planning, I am very good at. Now however, execution is required. Thankfully Carol, our tutor, reassured me on Friday that I am further ahead than I thought I was - and in fact almost finished, so therefore should take a break. Clearly she doesn't know me very well still, because I won't be taking a break from this until it's finished and checked. And checked again. And then edited. And re-exported. And checked.

www.hku.nl
Lastly of my things to update about, I submitted my final application form for the Erasmus exchange programme just over a week ago. I spent a long time getting paranoid over my personal statement and portfolio, in fear I wouldn't do it justice and damaging my chances at such a good opportunity to meet new people and visit new places. I chose to apply to the Hogeschool voor de Kunsten Utrecht, with no second option as I didn't want to travel elsewhere if I were to be unsuccessful in my first choice. But alas, all is done and submitted now so lest not fret about what can not be changed. But I will fret, it's what I do best after all.

Sunday, March 13, 2011

Thank You, and Goodnight!

I hope!
I'd just like to take the opportunity to say a huge thanks to Jonathan Baldwin for this years Design Studies programme.

Although we joked about the annoyances of the assignments throughout and perhaps praised guest speakers more openly - I for one have highly enjoyed the module as a whole. The lectures were far from boring (ok, I maybe nodded off during one, but for JB's sake I'll say I was out the night before), and his innovative teaching methods kept us amused like toddlers at the Zoo.

The reading material (apart from the recent excerpt from Bourdieu) has been interesting to say the least - albeit perhaps not what I would have expected. In fact, I have gone on to purchase more from Malcolm Gladwell as a result.

I suppose I'm just trying to say I'm glad I had the chance to attend this module, and think it's a great shame that the changes leave a questionable future for these specific lectures. In that respect, I feel very lucky to have been part of it.

Hopefully what I've learnt this year will set me up with the skills I need to tackle the forthcoming monstrosity that is 3rd and 4th year.

Thanks again JB (and to all the speakers that have accompanied him throughout) - you the man!

although this perhaps might be too far come graduation,
well, unless I get a 1st!

Thursday, March 10, 2011

In the words of David Bowie: Ch-Ch-Ch-Ch-Changes


Today we had a lecture/meeting about the proposed changes to the DJCAD programme structure, with several members of the academic faculty present, along with students from Textiles, Jewellery and Metalwork and Interior and Environmental Design - although a substantial amount of JMD students were unavailable due to course commitments. 

Firstly I'd like to point out to those who read this who study in a different discipline from myself that I voiced several issues from the IED perspective - some of which are not entirely my personal issues with the changes, but are talked about in great depth amongst my fellow classmates during studio time. However, after kicking up sh*t for a meeting so we could all be properly informed about the changes - people suddenly lost their voice when it came to voicing these aforementioned concerns. 

Enter Shona. 

When busy people such as Andy Milligan (our head of IED) and Jonathan, along with Mike and Frances from Textiles give up time out of their busy days to give us a chance to question all these changes - why does the powerful voice heard so much in class suddenly evaporate as if it never existed? In fact, people changed their tune in front of the masses - but yet back in the studio, the same moans and groans can still be heard. It made me feel like the big bad wolf from IED in that lecture and left me less than impressed with the lack of voice when it mattered. 

Frustrating.

Although I can see that everyone stands to benefit from the proposed change (use of other facilities, and knowledge from other disciplines etc.), it will always feel somewhat of an odd choice of grouping. Yes "craft" may be taken as a term meaning to belong to a creative profession, it's just craft in it's main sense is rarely what we do. I don't know what my personal distaste for the word "craft" is, I just don't like it. Perhaps it's because I "use software or computers and stuff" - the irony of being described as that amused me, as this was said while trying to convince me IED is a craft. Furthermore, having even more people using the woodwork workshop will probably render our furniture module obsolete as space is already an issue during this project - which ironically is the IED project that has the strongest tie to the damned "craft" word that's getting banded about. 

Another thing that is bothering IED more than the other disciplines is the loss of our first year. A huge amount is learnt during this crucial learning curve, and, on thinking back to the knowledge I came in with and the level of IED we are currently at now - it is difficult to expect newcomers to maintain 2nd-4th year levels when only entering in their second year. The "T" shaped graph of knowledge that was talked about is all very well, but we struggle to get our projects complete as it is. We have for example just been given an extension over the Easter break to accommodate for the masses of work within our discipline that is due, let alone a module here and there based in other fields. I guess what I am ultimately concerned for is the final outcome of our degrees, and not just for our individual years, but the course as a whole - by giving us these new options and opportunities to learn new skills across varying areas, are we diluting our specialised knowledge and therefore jeopardising the strength and quality in each field come degree show? This isn't even just from an IED perspective, the same goes for all disciplines.

It feels like a car sales man's trying to persuade me, sell it to me, make me think it's good - when really we've all got a sinking feeling and a knot in our stomaches, wether it's voiced or not.

I'm scared all courses will end up a mish mash of several inter disciplinary modules that leave you graduating a jack of all trades, master of none - and I don't think anybody, from any field, would like this to happen to what they are passionate about.

Sunday, February 27, 2011

The Curriculum Vitae & Semiotics

I was surfing the abyss that is the interwebs when I came across a few sites that listed interesting resume ideas. This got me thinking - what will I chose to do to attract attention when it comes to looking for a job that doesn't involve serving drinks to drunk students?

Here are a few of my favourites:


The Origami CV

I like this one because it is simple and unusual. Imagine receiving something like this via post - it would certainly make me smile, especially if it was in a more interesting shape that you have to unfold. Takes folding paper to fit envelopes to a whole new level!




The T-Shirt CV

This is a cool idea as again it makes for an interesting delivery, but the only problem I can see with this is if you have never met who would be reading it - you may insult them by sending a size far too small or vice versa.

That aside though - I like this idea of printing on something other than paper, which leads me to what else could you print on?






The Infographic CV

For those of you who have read some of my recent postings - this one excites me a lot!

It's simple, efficient, and interesting without being cluttered up with a lot of writing. The initial impact of seeing it makes it a very successful way to display your stats and traits.
 The Compact CV

This one is similar in a way to the origami one shown above, although is very compact. If you were to send this in a very very small box then it would be surprising to get in your in tray.

It's simple and clean, and a way of sprucing up a simple text based CV, but keeping a traditional format inside.

Probably good for those who are will to try a more ambitious CV style but not willing to risk a crazy graphic design style.

 The Whole Package CV

This one is good, although it is a lot of work.

Receiving a well thought out pack with miniature flyers, brochure of work, contact detail cards and a poster is a nice thought, and reminds me of a pull out in The Guardian or The National Geographic etc.

It's a nice idea, but as I say - it's a job in itself to make it all. I guess it depends how long you have been out of work, and how much time you have to make all of this!


The Comic Book CV

This one has a lot of impact. I like the simplicity, and the fact that you can get text on it without it being irritating - although how much text you need I guess is something I could tell you if I read more into semiotics.

The limited colours also mean it doesn't get cluttered as easily - something I'm sure employers like. Surely there is nothing worse than trawling through hundreds (and in this climate probably thousands) of applications for a single position, and being bombarded with busy sheets and a lot of pointless text. Although as these are all for creative positions and I myself hope to also be applying to something in the creative industry - you'd hope applicants would have a sense about this given their field. You never know though - they might just be the ones without a job.



I think I would write my website address on 50 bananas and send them in a basket to whoever I wanted a job with. Overwhelm them with fruity madness!

If that didn't work, I think I would perhaps make a box of teabags - but replace all the information on the box with my information - but fill it with some nice fruity tea bags and send them to an employer. Who doesn't like tea, right?

Friday, February 25, 2011

Nicoll Russell Studios

Nicoll Russell Studios are an architecture and interior design firm based in Broughty Ferry, on the outskirts of Dundee. They have had many successful projects, including The Dundee Rep Theatre, several Dundee University buildings, contemporary private homes, The Scottish Dance Theatre in Dundee and Dundee Sheriff Court, along with many other builds.

Garry Farquharson who is an architect for Nicoll Russell Studios, kindly gave us his time last week for a workshop, in which he took us through the building process. This included explaining site analysis of one of their recent sustainable builds in the Dundee area - the Hillcrest HQ. He said they had been lucky to get such a forward thinking client, as when designers mention the horrid "S" word of sustainability, a lot of clients recoil in confused disgust. He went on to tell us that usually you have to be tactful in the way you approach eco building, but with Hillcrest, they wanted to be as green as possible.

artists impression of the Hillcrest HQ
source: nrsarchitects.com
I learnt quite a lot from him, particularly about how a real project can go. I was interested to find out more about geothermal cooling systems, and about on site generation of electricity - something they used for the Hillcrest HQ, which meant enough electricity was generated to sell back to the national grid.

The relationship between your own project and the surrounding land is something that he spoke to us quite in depth, and made me consider this further for our current project. While designing the Hillcrest HQ there was another on-going build on the same piece of land, so the two firms worked closely to ensure both builds would work together. Although this is not quite the same situation for my hypothetical build, it is a site that has a close relationship to the surrounding buildings - particularly the football stadium. I added a psychological aspect into my site analysis to cover what effects the surrounding buildings in the relatively close proximity would have on such a space.

He also mentioned the cradle to cradle theory, as opposed to cradle to grave - which is a book I have been meaning to read for a while, despite buying it a ages ago.

I think I've just found my reading material for the train on Monday!

Wednesday, February 23, 2011

Whaam!

The Design Museum, London

With my upcoming visiting to London next week looming, I have been trying to get a list together of places to visit while I'm down there. We have a few extra days to explore as we are down for 5 days, with Eco Build only occupying 3 of them.

For me, The Tate Modern is a must. I've never had the time to visit before - as the only other time I've ever been to London was for the same excursion last year, to which time was an issue. I've been looking through their extensive list of permanent pieces, along with the current exhibitions, and have come to the conclusion I may need to dedicate a whole morning or afternoon for The Tate Modern. They have 27 pages listing all their works by Andy Warhol, and house Roy Lichtenstein's Whaam! - something I am desperate to see as it's over 4m long! I remember thinking that some pieces that you have longed to see can be a let down in scale, a particular example of this was Dali's paintings I seen while visiting New York's MoMA. Some of them were post card sized - something you would never assume from images printed in books.
Ai WeiWei's Sunflower Seeds Exhibiton

Ai Weiwei's current installation piece entitled "Sunflower Seeds" is something I want to get the chance to see - as the scale of it seems like something that would be very powerful to see, and have more of an impact than mere images.

Next on my list of places to visit is The Design Museum. I'm hoping to find some kind of inspiration for my current project there, as things have taken a dip in terms of motivation. I always do this - storm into a project like a hurricane and then the calm in the middle comes, and then it's a mad dash to the finish line, but hey - it works.

The V&A is another place I'd like to visit, but I'm not sure if I will gave time to spare. I guess I can use it as an excuse to visit again during the summer - as I do need to spend some time taking in the culture from the comfort of some of Camden's finest bars.

Living in Dundee and coming from Edinburgh means I've never had a real sense of travelling times within a city - so I always assume it to be "no bother" to "pop across town" - although in reality, we could be talking about an hour or more. I suppose I will just have to see how much I can squeeze in - although I'm not in any way fussed to see BigBen or The London Eye. Actually, I'd be quite proud if I never see them, in a kind of anti-tourist type way.

Saturday, February 19, 2011

EcoBuild: One week until LDN

Well, I have had my confirmation email, assuring me my pass for EcoBuild 2011 is on it's way!

To those who are reading this and are not in the sustainable industry, I am not surprised if you are moving your cursor to exit this post now - but don't.

Everybody is in the sustainable industry. Do you eat? Do you heat your home? Do you travel by any means other than walking or cycling? I'm going to put all my money on your answer being yes.

Without sounding like a Green Peace volunteer that chases you down the street asking for phone numbers and email addresses - protecting and reviving the environment is something we should all concern ourselves with. People seem to think (or tell themselves to ease the guilt) that it won't affect them in their life time, so why bother. It's too much of an irritation to their daily life to consider recycling that sandwich carton, or not take the plastic carrier bag for their meal deal at lunch.

Well, without harping on - it will. I try never to use plastic bags, either just using that age old technique of carrying the one item you have purchased by hand, or using reusable jute bags. It's so easy to incorporate into your lives, and, if everyone was to do this also - would make a difference. I posted a video a few weeks ago about turning off computers - something that seems to trivial and tiny, but, on mass makes an astounding difference.

EcoBuild 2010

Well, why am I going on about saving the rain forests and being green? Aside from it being a personal interest - next week is EcoBuild in London - an annual conference in which thousands of people from various industries gather to educate and promote sustainable products. It's a fantastic opportunity for us young student designers to gain knowledge about products covering a vast array of topics, including contraction materials, surface finishes, techniques, and services that are all from a sustainable background - and the best part is, it's free to attend!

There are also various speeches given throughout the 3 day event (Tues 1st March - 3rd March 2011) including several familiar names - one household name this year being Kevin McCloud - although I personally am not a fan.

This will be the second time I myself will be attending, although hopefully this year without the mix up of passes there was during 2010's event - to which we waiting in a line longer than the average street.

I will post my findings after my visit - along with any other worth while things I encounter during my visit to London.

Friday, February 18, 2011

Lecture: Tweeting, blogging, and getting yourself known!

Lauren Currie (@Redjotter), a former MDes student here at DJCAD gave us an inspiring lecture today with regards to service design.

Although she came from a Product Design bachelors background, I can see that every aspect of design is related. It's like one big pot of design, swirling in a vortex with all of our different disciplines competing in an olympic fashion - although I don't fancy the image of me in a swimming cap, sporting the I&ED team colours.

Service design is something that's been simmering in the back of my noggin since last years lecture on the same topic. I have since opened up a folder that I store all my ideas for fourth year, masters or future projects - wherever the wind takes me, with a hind of service design cropping up regularly. Something I'm very interested in developing is flat-packed care. Not just for the elderly, but for people suffering disability (short and long term), and those suffering injury. The environmental aspect of I&ED is getting to me quite a bit too, and have become very aware of my footprint. This is something I would also like to incorporate. Green DIY care. Flat-packed eco hugs. Making people feel better, and making the environment feel better at the same time - it's a nice thought anyway.

It was so good to see such a positive outcome from the simple things such as tweeting and blogging. I am quite an avid fan of both of these routes, as well as LinkedIn and Skype. I was astounded to find that when I started following the likes of The Guardian, BREEAM, and various magazines, people from the same industry began following me. Although I am somewhat of a small presence online, I can only imagine what I will be able to gain from persevering over the next few years as an undergraduate. I'd love to get even one of the many opportunities Lauren has got through these means. I've already taken on her advice about having a consistent image - although I change the hue for each network.

...and be controversial! (GFDA)
My only gripe is not with the lecture today (it was very good after all), but with the lectures in general. Us in Interiors get forgotten! Every time an example is given it's "if you are in jewellery", or "as a textile student", or "for example, if you graduate in graphics", and so on. We feel a little invisible. Will there be any future talks given from MDes students who are post grad I&ED? Or perhaps post grads in industry? Even a small specifically relevant part? Please!

But apart from that - another good week for Design Studies. All these people who moan and groan about having to do all these "chores" don't seem to get that it's all to aid their future.

They don't hire average joe, after all.

...And just to finish off, I thought I'd leave you all with a website I have been on recently: Good F*cking Design Advice. It's motivational yet light hearted - but perhaps NSFW. None the less it gets you back down to earth. Get fucking inspired!

Friday, January 14, 2011

Mac Update

I recently updated my MBP after continuously declining, and came to the inevitable conclusion that I was eventually going to have to accept a software update.

Included in this, aside from changing my iTunes logo (to my annoyance) was the new addition of the AppStore in my dock. It's quite a nice feature really. I'm currently in the process of downloading the Twitter app to allow desktop updates - along with a feature that allows control-click tweets from anywhere.

While browsing the free app's catagory, I noticed the top rated one was "MindNote". This is a nice little app to create mind maps with, so will be downloading that when I remember my AppleID login - which amused me, as you are redirected to "iForgot" to reset your details. Lolz.

Thursday, December 2, 2010

Furniture Design: Someone Said It Was Snowing?





To update, the snow shows little chance of withdrawing its horrid self from these parts, thus extending the mass hysteria and travel related delays. Oh goody.

To date, we have been unable to continue our workshop project since Monday, and given the final presentation deadline is a week tomorrow (Friday 10 December) I have little faith that we will be able to complete it and present fully in that short window. It has been announced that the workshop is open indefinitely today, however how long that will last, nobody is sure.

Just as I thought we may get somewhere today, another stumbling block appears in the form of all buses within Dundee have been cancelled until further notice. Boo! The last attempt to get into the workshop (and the last time it was open) was on Tuesday, to which I managed to get a bus only to find the workshop was closing on my arrival. Typical.

It's nobody's fault - everyone is working hard, but it doesn't stop the frustrations. I especially have sympathy for bus drivers and the council workers trying to clear roads and paths - but some people are being extremely selfish. I went on the Facebook site for the University to try to get a heads up on wether or not I should attempt travelling in, only to find unbelievable comments from some of the students:

"speak english people,, i dont have ANY clue about whether uni is open or not.. YES or NO are the possible answers,, not that whole thing that even google transator wouldnt help :S " - a students response to other people trying to shed some light on the University opening hours. I really hope this person does not study English. The irony does make me laugh though.

Hurling abuse onto the University's page will get them nowhere. It's stupid to expect places to open when staff cannot travel in safely - tutors tend not to live in halls opposite the facilities, love. It's funny how people have excuses not to attend class when it's sunny but when they are bored and want to attend class, it's everybody else's fault. Well, the snow is nobody's fault - even the multiple accident-helpline-lawyers-4-u-get-a-no-win-no-fee-compensation-you-deserve companies would agree.

My personal favourite comment was:

"Pathetic that they were not open today. All my revision material is in a locker in the library, and my exam is next wk! We, as students, pay A LOT of money to attend university, the least they could do is open the buiding. Should be better prepared for events like this! I don't even have the internet in my flat, so I can't even get assess to revision that way! What a joke" - I'll let this person stay anonymous.

I would however like to point out that the person who commented the pointless statement above is from Brechin, so will no doubt get SAAS funding - not costing them A LOT personally. Secondly; they received a mouthful back from a sympathetic student to the University:

"Hang on a minute here chap. It's not exactly the Uni's fault, they can't control the weather. Yes the Uni does get a lot of money for us to attend, but does that mean that the security and maintenance staff have to risk their lives so you can get into a locker. In any case did you leave your revision material over the weekend? Not that worried are you, or if you left it there overnight surely the weather last night was an indication that you should have taken it home with you. Yes we need to be told if the Uni is closed or not in advance but don't be a complete tool." - anon student/legend.

Win!

On a more serious note; I hope I can get on with things soon enough, or at least be allowed some time to make up for what we have lost. Doing the odds and ends in the mean time is all very well, but I'm itching to get on with proper work!

Thats right snow - I'm talking to you! Clear off! 

Saturday, November 27, 2010

Stuffs I Wanted To Share



So on my Saturday evening I have been surfing the internet quite a lot. Don't get me wrong -I do have friends on a social level (although judging from my blog this is hard to believe they are not all digital). 

Several things have caught my eye recently so I thought I would share these - and they will probably end up wasting your time as much as they have mine. 



MySpace appear to have gone under a revamp and now include little animations when you hover your cursor over their logo. Go on, try it. Theres quite a few different ones, it'll have you refreshing for ages! So far I have managed to get the bag of junk, tentacles, a slide with balls, a stags head and eyes and leaves. 

Post a comment if you get any others! It's addictive!


I heavily dislike Jeremy Clarkson - but for some reason he is regarded as somewhat of a journalist having his own column, and is also a very successful world known television presenter. I did however find this entertaining as he gets injured in the downstairs department. Good. The one thing I do like about Top Gear is their filming style - it's always done nicely. Although the content leaves something to be desired. 

Boys and their damn toys. 


Costing an estimated $1 Billion, Mukesh Ambani is living the lifestyle of more than a king. Understandably when you are one of the worlds richest men, with an approximate $17 Billion, you want to live a life of luxury - however this is too far. I cannot believe how much people spend. With a £98,000 fuel bill - it would be enough to feed the surrounding slums for a month. What sickens me the most is that it is right in the heart of a slum - rubbing his money, wealth and luxury right in their poverty stricken, disease ridden communities. Unbelievable. 

Oh, and it requires 600 members of staff for upkeep.


This was an interesting article I read, regarding consumerism, and sometimes how ridiculous it is when you really think about it. 


Lastly in my news related topics is the news that McDonalds is set to start providing management degrees. Seriously? I'd like to see where this stands in The Times' Good University Guide. Talk about clown college - or sorry, make that Ronald McDonald College, but not only would it degrade other similar degrees in the field that are not affiliated to it, I don't see what is wrong with putting staff through required courses that already exist? 
huzzah for geeks!


I read that Adam Savage teaches Advanced Model Making - at San Francisco's Academy of Art University. Now, not only is that my ultimate course - but you get taught by Adam Savage of the Discovery Channel's MythBusters! Zomg! For those of you who don't know what MythBusters is - leave my page now.

I feel a little exposed admitting to my love of that program. Ah well. 


I'm really enjoying the pictures that have been sent in here. Take a look =]


Great site featuring daily favourites in innovative website design. I used to keep tabs on this daily but since my change of career path (that I aim for) I had migrated away from being so interested. Luckily I have just rediscovered it - and now you can waste hours on this too! The site changes very regularly so you never get tired of it!

One of my particular favourites was the Smart Car site which featured a little game where you drove the car around check points creating a dot-to-dot like image. I suppose it also ties in with my Viral research, and what companies are trying to do to engage people with their product.

So that pretty much sums up what I have been doing. Hopefully you will enjoy at least one of the above. Not much academia was discussed but hey - that's only a very small chunk of the interwebs!

Enjoy! I however, am going to get back to more pressing matters.

Friday, May 7, 2010

Steven Haff's inspirational Speech "We get to Listen"



“We get to listen”
by Stephen Haff

Thank you for including me.

This speech is based on my personal experiences. Whenever I assert a universal truth, please take it with a grain of salt.

You may have seen a flock of birds, maybe starlings, thousands of them, flying wing-to-wing in breathtaking formations, folding in on themselves, then flowering, blossoming out, like a rose opening layer after layer; they swirl like a tornado, then spread into a long skinny string and alight along a power line. The flock is a being, a being that makes decisions without a leader. How do they know when to go this way or that way, up or down, spin or fly straight, land or take off?

You may also have seen a school of fish, say mackerel, doing the same kind of thing, forming, disbanding, reforming, hundreds of silver flashes moving swiftly as one, finding food, avoiding predators; no one’s crashing into anyone,  and no one’s giving orders. How can this be?

My understanding is that the individual starling or mackerel responds to the movements of neighbors left, right, above, below and in front; according to their movements, a basic algorithm or function in the brain of the starling or mackerel processes what to do, and it’s instantaneous--there’s no real thinking going on, apart from the algorithm doing its work. They’re just BEING--in relation to their neighbors.

Over the years of my career as a teacher, in classrooms and rehearsals and now in the meetings of Still Waters in a Storm, I have preached compassion. When schools generated oppressive lists of rules and standards, and mind-crushing rubrics for grading everything children do, I threw those charts and lists in the garbage and asked young people to follow only one rule: LOVE EACH OTHER. I believe that if we respond to our neighbors according to this rule, everything’s going to be all right.

But what does it mean to love each other?

I don’t know.

I do think that part of love is respect--not in the typical school sense of obedience to institutional authority, but in the sense of making room for our neighbors to be who they are.

I also believe that trust is a big part of love. If we’re to become who we really are, our best beautiful self, we need to trust each other, to know that we’re allowed to be us.

In my experience, the single most important part of love is listening. Real listening, with patience, requires compassion, builds trust, and demonstrates respect.

The group I started two years ago in the Bushwick neighborhood of Brooklyn is called Still Waters in a Storm, and we operate on this algorithm: everyone hears everyone. That’s it. We meet, no more than 12 people at a given meeting, ages 6 to 52, with most in their teens and 20s, we eat pizza, and we write, about anything, in any style or genre, any number of words. Then, we take turns reading our writing out loud and listening to each other. After each reading, the group responds, not by judging or grading or liking or disliking, but by saying what we noticed, what we felt, what we related to, and by asking questions that encourage fullness and precision of expression. These responses say that we are listening with care.

We are practicing love.

During a recent meeting, a 16-year old girl passed me a note on a folded piece of paper. It said, “Can I call you Dad?”

Models for this group include Alcoholics Anonymous, Quaker meetings, the one-room schoolhouse, our pre-agricultural tribes, the wolf pack, group therapy and all-night conversations with good friends.

In public school classrooms, where I worked for 10 years, I would often go bananas trying to make students “listen.” Now, having left the big system, the New York Department of Education, I understand that this was a struggle because the school system values control, and the silence of students is evidence of their being under control. So of course the kids rebelled. It’s cruel and inhuman to put a group of highly social primates in an enclosed space, elbow to elbow, and forbid their free communication. It hurts them.

The title of this speech, “We get to listen,” quotes a statement by the youngest member of the group, 6-year old Angie. “We GET to listen.” What in school was oppression here is privilege. “We GET to listen.” We’re LUCKY.

Why lucky? Because if we think of ourselves as the Stone-Age beings we are when we’re born--we haven’t evolved since the Stone Age; same body, same brain--we’re wired for interdependent life in a village or extended tribe, and we naturally want and NEED to know what’s going on inside those around us, so that we can all be synchronized.

We need to need each other.

Children want to know what grown-ups are up to, and grown-ups have a real responsibility to guide and take care of the youngins. This is what we are, even now, despite the many separations that have unraveled our tribes.

It’s unnatural to segregate children by age, robbing them of the full range of perspectives in their village, as unnatural as it is to put away our elders in “homes.”

No wonder depression and other mental illnesses are rising and swallowing us like a dark tide. We’re separated from each other and from our own true nature.

Schools, offices, hospitals, nursing homes, iPods and television all keep us from being together and listening to each other. Even if we don’t know this consciously, our brain stem knows, our primal intuition knows, and we suffer.

Art, be it painting, music, writing, acting, photography, sculpture, dance or architecture, makes room for us to know each other. Our imaginations meet. And no matter how much personal pain we carry inside us for reference, compassion always requires an effort of imagination. Art trains us in imagining each other’s inner life. We get to listen, we get to see, we get to feel.

What does this have to do with learning?

In my personal experience, deep learning happens in the context of loving relationships.

My grandfather, who passed away at age 95 eight years ago, told me a story about love and learning. At age 10, in 1917, he had won a bamboo fishing pole in a small-town raffle, way up in the mountains of northern Idaho. His father told him he would need to wrap the pole in thread, an intricate procedure. His father also told him that he, my great-grandfather, needed to rewrap his own pole, too. They sat side-by-side on the porch and wound thread around bamboo. My grandfather added, at the end of the story, that, looking back, he suspected that his father didn’t really need to rewrap his own fishing pole.

Love isn’t something that happens to you, like falling asleep in a hammock on a lazy summer afternoon. It’s day labor. Every morning, before you’re ready, you wake up in the dark and you’re an immigrant, lining up for a day’s work, with no guarantee that the job will be there for you when the sun comes up.

A recent study of monkeys revealed that a given monkey will exhibit loyalty not necessarily to blood relatives but to those monkeys who reliably groom him or her. Reciprocal altruism is a powerful bond, and I think it’s the key to sustainable learning.

I say “sustainable” because I’ve put an awful lot of time and energy into curricula and lesson plans and the latest magical program with its mandatory buzz words--“accountable talk,” “text rich environment,” “literacy across the curriculum,” “activating schema,” “the new continuum,” and on and on--the third magical program in one year that will fix everything. But one condition abides: almost none of the students want to be in school, and those who do are often seeking refuge from unhealthy homes. It’s so familiar that it feels normal: kids. hate. school.

For years I made a spectacular effort in a Brooklyn neighborhood called Bushwick, at the infamous Bushwick High School, a grand old six-storey red brick tower that looks like a prison or an antiquated mental hospital, where students would set hallway bulletin boards on fire and once threw a dog out of a 5th floor window. On the way down, the dog struck a flag pole that was sticking out the side of the building, broke his back, then fell to his gut-spilling death on the sidewalk below.

In addition to my classroom teaching, I ran a collective called Real People Theater, or RPT, a group of neighborhood youth who rewrote Shakespeare, Milton and other classics, remixing the original text with Spanish and Street. The success, by every measure, was astonishing. Kids who otherwise refused to read or write were choosing to master Shakespeare. We received a lot of acclaim in the press and among renowned theater artists. The VILLAGE VOICE called us “Nothing less than a revolution,” and THE BROOKLYN RAIL said we were “One of the most respected theater collectives in New York City.” Graciela Daniele, a Broadway director and choreographer, thanked us for “bringing theater back to life.” We were even adopted as the official apprentice company of the Wooster Group. We traveled the world. Kids who had been barely literate attended elite colleges.

Then, all of us had to live the next day.

And the day after that.

Now, taking inventory of that group today, a few have started families, work decent jobs, or are continuing their formal education. One young woman has lost her mind, two young men are drug dealers, one is a coke addict who has beaten at least one woman after sex, and another young man is locked up for a couple of years for riding around with a loaded gun.

Ours was a story that Hollywood loves--the ghetto kids rise up, overcome, and are happy. Except, well, no.

I had several successive major breakdowns and fell into suicidal depression when the youngins I had given my heart to turned on me, tried to take over and call the shots. Having lived powerless their whole lives, they were drunk on all the praise and their own surging confidence, and acted according to the ethos of the street, which told them to gun for the big dog, which was me.

You could also just say that I had unrealistic expectations.

Following about three years of recuperation in my native Canada, including lots of cognitive therapy training and Taoist meditation, I needed to go back to Brooklyn and make things right somehow.

After several teaching jobs in Bronx and Brooklyn schools, I finally left the system, burning bridges as I just walked away, admitting that my being did not belong there, as an agent of control.

I started something then that is growing now, a group designed to accommodate comings and goings, to be patient, a voluntary one-room schoolhouse, a neighborhood within the neighborhood, where people listen to each other. It’s simple, deep and therapeutic, for all of us. The students say that this is what gets them through the week. But it’s not easy.

Power struggles rise up, usually as challenges to my authority--natural authority, based on experience and expertise, but authority nonetheless--challenges from young men who argue that they should be allowed to do whatever they want. They call this “freedom,” not considering how their unlimited freedom might affect the freedom of people around them, and that total license, like an asteroid heedless of what lies in its path, will collide with the planet of someone else’s desires or needs.

For humans who’ve been trained away from reciprocal love, there needs to be a retraining before they can fly like starlings or swim like mackerel, simultaneously free and together, making decisions collectively.

I guess that many kids are sick of being bossed around by teachers and parents, and they’re desperate to do as they wish. But that’s not freedom--although television advertising tells them that doing as they please is their birthright and even their patriotic duty--it’s not freedom any more than being “responsible” means doing your homework. Perhaps this is counter-intuitive, but I believe that real freedom is achieved by taking real responsibility for each other, that real freedom is a result of interdependence, of relationships, of love. I’ve kicked out three young men from the group already, for being narcissistic and having no conscience.

I used to take my 9th graders down the street every week to work with 1st graders; they would read and write stories together, and answer each other’s questions. Grumpy teenagers who wanted to be home in bed and balked at mentoring small children were visibly happy when they saw the little ones waving at them and smiling, as they, the teenagers, awkwardly entered a room whose furniture they had long outgrown. The little ones helped the big ones belong somewhere, be needed by a real person, set them free from a life of abstraction, free from segregation, free from a donkey’s burden of textbooks, free from competition with their peers, free from measurement, free from lovelessness.

Reminding myself daily to carry no agenda but love, I see my job as defending the sanctity of listening, against laziness and carelessness and a whole buncha things that fall under the heading of “B.S.,” and asking myself and my students to keep asking ourselves what it means to love each other. If we can keep the asking alive, petal after petal of the rose of our relationship opens. By caring for this flower, we make beauty, we make living art.

I believe that art is a human effort to re-enter paradise, to recreate universal understanding and universal interdependence. Artists are trying to get us back to the Garden, where the grace of being was installed in the gallery of nature, and everything was everything.

Maybe if we can see our relationships themselves as art, we might begin to treat each other with gratitude and reverence, begin to heal from the cutting of the umbilical cord that made us individuals and left us longing to be lost again in someone else, and begin to be not as lonely, after all.

The last words I leave to a student from my 9th grade English class at Bushwick High School eight years ago. She belonged to a gang called the Crips, so she wore all blue clothing and had her name tattooed on her neck in blue ink.

I had recently returned from visiting my 95-year old grandfather as he was dying in a San Francisco hospital, and I guess my grief was apparent.

The girl handed me a piece of paper folded in four, as it is here and now.

All I want to say before reading it to you is, THIS is what I’m talking about:

“Dear Mr. Haff,

Please try to be happy because you are my happiness in school. Even though you always smiling I can see. I know what is like to lose someone. One day they there, then they not. My aunt comes back at night to bother me but it’s okay.

Love,
Lydia

p.s. Eat more fruits!”


Thank you.

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