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Showing posts with label Exhibitions. Show all posts
Showing posts with label Exhibitions. Show all posts

Sunday, March 20, 2011

Candy Chang

Last night, I easily wasted 4 hours on StumbleUpon. One of the clever things it brought to my attention was the work of Candy Chang.

from candychang.com
from candychang.com 
from candychang.com

from candychang.com 
Her work is centred around urban installations that aim to bring communities together. "Before I die..." was the first one I "stumbled" across, which was quite inspiring. It's in the Hurricane Katrina stricken New Orleans, which still shows signs of the damage from 2005.

It's a really interesting way of bringing the community together, and I suppose is a bit like an open questionnaire. Passers by are invited to complete the sentence "Before I die..." on a large scale chalk board, with coloured chalk available. I wish I had permission to do something like this for our current assignment, where one of the options is based around finding out what people treasure the most.

Another of her projects, which is quite similar to one of the mind mapping methods we looked at, as well as being mentioned on Service Design Tools as the "Blueprint" method, was her "Post-it Notes For Neighbours" installation. It invites people to anonymously leave information about their living situation, giving people an idea of rent prices in various areas, this time set in Brooklyn, New York on a shop front. I really like temporary work such as this, as participants feel they are special to have the opportunity to be part of something that only lasts for such a short window of time.

from candychang.com
from candychang.com
from candychang.com 
I highly recommend spending even just 5 minutes on her site looking through her projects, but I guarantee you will be on it for longer than 5 minutes. Her work really is addictive and clever - Tenants Rights Flash Cards is another example of one of her good ideas. I'm not sure what she would class herself as, that is to say if she is categorisable at all. Some of her projects/installations seem to be a form of service design - amongst a multitude of other things, but she is stated on her site to be "a public installation artist, designer, urban planner, and co-founder of Civic Center who likes to make cities more comfortable to people" - which is quite nice really isn't it?

Her twitter is @candychang - needless to say I have already started to follow her!

Wednesday, March 16, 2011

Plumen 001



Although it may sound like some kind of chemical compound used to "get rid" of foreign secret agents, the Plumen 001 is in fact a lightblub. I have come across this deisgn in several places now, namely on the Dezeen website, at EcoBuild and at the Deign Museum, along with in several design magazines. It's what environmentalists have been eagerly awaiting - a clean redesign of the energy efficient light bulb. We openly welcome you to our homes, Plumen 001!



There is a small issue with this though, and that is the small fortune you may have to part with to light your home with these. At a painful £19.95 each, the price is sure to be an issue for mainstream consumers. Although efficiency is something we must concern ourselves with due to the environment becoming an ever more important factor in our daily lives, the current (and often dreaded) energy efficient light bulb does leave a lot to be desired - so it seems Hulger and Samuel Wilkinson (the brains behind the Plumen 001) may have cracked onto something here, especially given that the UK have relatively recently introduced the EU ban on importing high energy filament bulbs. I guess rival designers will soon pounce on this nice little niche in the market, and come up with their own solutions to the energy efficent lightbulb - which should eventually drive prices down.

Taken at the Design Museum, March 2011
So, it would seem this is at least a step in the right direction. Yay for green design! I just now need to justify to myself why £19.95 is a reasonable price to pay for a lightbulb. Damn it.

Sunday, March 6, 2011

Design Studies: Snooping in London



Further to my recent posts about ethnography, I thought I'd explain my findings during my primary and secondary locations.


My primary location - a place in which we are unfamiliar with, somewhere we do not regularly occupy, and therefore feel a reasonable amount of discomfort in - was the London underground system, primarily in the business district, stretching into the ExCel exhibition centre. These places were locations that I felt generally out of my depth, as busy business men smoothy made the transition from work to transport with their silent unspoken etiquette. This was something a student in particular would find intimidating, as you are an amateur to their world, and feel like you are getting under their busy feet. Do I stand? Do I give them my seat? What do I do when I can't reach a rail to steady myself? How do you get across the extremely busy carriage if you find the stop's doors are on the opposite side to which you are? Do you apologise if you brush up against someone? It's all easier said than done, but regulars to this do it with ease.

Oh, and apparently nobody apologies in London.

this was just the entrance hall, mid morning!
We also had to select a secondary location - somewhere where we felt comfortable, a place that we regularly visit. For this, I selected my local bus stop - in which I visit up to 4 times a day. I understand that if an older person were to come to the stop I would allow them on first so they don't feel like they are holding up the bus by getting on last, I'd also help them with any bags. I understand that you allow the people to alight the bus before I board. I understand that you only say "you first", "no you" a maximum of twice, or the politeness catch 22 will never end. I also understand, that at an empty stop you should always sit at the waiting seats towards an end, so that others arriving can sit on it without feeling they have to sit right next to a stranger, or do the awkward slide along. Not all stops have a "No Smoking" sign - but everyone from Scotland is aware of the law stating you may not smoke in a bus stop with 3+ sides. This means a post is ok to smoke at, a side with a roof is ok, but not two sides and a roof. I know all this because over time I have absorbed the unspoken etiquette.

All of these things are learnt through doing, but how could this be made more apparent for newcomers? My primary and secondary locations have highlighted that although I find my daily routine easy, I only perceive it to be easy as I have done it for so long. A new surrounding brings new customs to adhere to, but how can you prevent that awkward "oh look, here's an out of town-er" stare? This brings me to my next task:

Relating This To Interior & Environmental Design


Signs can be overwhelming. Yes, we need minimal signage to direct us generally, and warn us of serious dangers and hazards, but bombarding a person with ways in which to behave and react would be inappropriate - in fact it would do the opposite of it's intention and leave the newcomer even more intimidated by the whole situation.

So how can the design of the location help improve acceptable etiquette in busy a metropolis? Perhaps a simple floor plan on the carriage floor may help - similar to that of footsteps found on the ground at cash points, making people aware of how far away they should stand from the user for security and privacy when access private information, such as that of bank balances.


A consistent distance away from everyone means that there's less chance of the awkward squeeze, and perhaps align these with easy access to rails for each passenger to hold on to. Footstep places would of course need to be much closer together in order to hold a similar amount of people to present numbers, but by arranging them in a more logical fashion, it would perhaps allow for a calmer organised structure of people to travel - thus making it less daunting for newbies.

Pompidou Centre







Another thing that I found was missing was clearer signage to platforms. In a large crowd, it was difficult to see which way to go when switching line at one station. We travelled a lot on the DLR to Lewisham, however several DLR lines travelled in that general direction, although with different final destinations. Perhaps colour coded lines on the ground directing you to each platform would prevent people having to scout for signs - something that slows up crowds and irritates people who know where they are going. Following a simple thing like this would make it easier for people who have never experienced such a place before to blend in with the masses of regulars. This form of direction is regularly seen in hospitals, and an example is given above from The Pompidou Centre, Paris.

As far as The ExCel goes, it was quite well laid out, and made it easy for us to make our way around. It was more intimidating in terms of the social aspect, as we were out of our depths in terms of knowledge, rather than navigation.

Saturday, March 5, 2011

London: Snap Happy

I thought I'd take the time to share a few photos I took while visiting London:

Ai WeiWei's Sunflower Seeds

They make me happy! A mix from The Design Museum, The Tate Modern & The Millennium Bridge.














Wednesday, February 23, 2011

Whaam!

The Design Museum, London

With my upcoming visiting to London next week looming, I have been trying to get a list together of places to visit while I'm down there. We have a few extra days to explore as we are down for 5 days, with Eco Build only occupying 3 of them.

For me, The Tate Modern is a must. I've never had the time to visit before - as the only other time I've ever been to London was for the same excursion last year, to which time was an issue. I've been looking through their extensive list of permanent pieces, along with the current exhibitions, and have come to the conclusion I may need to dedicate a whole morning or afternoon for The Tate Modern. They have 27 pages listing all their works by Andy Warhol, and house Roy Lichtenstein's Whaam! - something I am desperate to see as it's over 4m long! I remember thinking that some pieces that you have longed to see can be a let down in scale, a particular example of this was Dali's paintings I seen while visiting New York's MoMA. Some of them were post card sized - something you would never assume from images printed in books.
Ai WeiWei's Sunflower Seeds Exhibiton

Ai Weiwei's current installation piece entitled "Sunflower Seeds" is something I want to get the chance to see - as the scale of it seems like something that would be very powerful to see, and have more of an impact than mere images.

Next on my list of places to visit is The Design Museum. I'm hoping to find some kind of inspiration for my current project there, as things have taken a dip in terms of motivation. I always do this - storm into a project like a hurricane and then the calm in the middle comes, and then it's a mad dash to the finish line, but hey - it works.

The V&A is another place I'd like to visit, but I'm not sure if I will gave time to spare. I guess I can use it as an excuse to visit again during the summer - as I do need to spend some time taking in the culture from the comfort of some of Camden's finest bars.

Living in Dundee and coming from Edinburgh means I've never had a real sense of travelling times within a city - so I always assume it to be "no bother" to "pop across town" - although in reality, we could be talking about an hour or more. I suppose I will just have to see how much I can squeeze in - although I'm not in any way fussed to see BigBen or The London Eye. Actually, I'd be quite proud if I never see them, in a kind of anti-tourist type way.

Saturday, February 19, 2011

EcoBuild: One week until LDN

Well, I have had my confirmation email, assuring me my pass for EcoBuild 2011 is on it's way!

To those who are reading this and are not in the sustainable industry, I am not surprised if you are moving your cursor to exit this post now - but don't.

Everybody is in the sustainable industry. Do you eat? Do you heat your home? Do you travel by any means other than walking or cycling? I'm going to put all my money on your answer being yes.

Without sounding like a Green Peace volunteer that chases you down the street asking for phone numbers and email addresses - protecting and reviving the environment is something we should all concern ourselves with. People seem to think (or tell themselves to ease the guilt) that it won't affect them in their life time, so why bother. It's too much of an irritation to their daily life to consider recycling that sandwich carton, or not take the plastic carrier bag for their meal deal at lunch.

Well, without harping on - it will. I try never to use plastic bags, either just using that age old technique of carrying the one item you have purchased by hand, or using reusable jute bags. It's so easy to incorporate into your lives, and, if everyone was to do this also - would make a difference. I posted a video a few weeks ago about turning off computers - something that seems to trivial and tiny, but, on mass makes an astounding difference.

EcoBuild 2010

Well, why am I going on about saving the rain forests and being green? Aside from it being a personal interest - next week is EcoBuild in London - an annual conference in which thousands of people from various industries gather to educate and promote sustainable products. It's a fantastic opportunity for us young student designers to gain knowledge about products covering a vast array of topics, including contraction materials, surface finishes, techniques, and services that are all from a sustainable background - and the best part is, it's free to attend!

There are also various speeches given throughout the 3 day event (Tues 1st March - 3rd March 2011) including several familiar names - one household name this year being Kevin McCloud - although I personally am not a fan.

This will be the second time I myself will be attending, although hopefully this year without the mix up of passes there was during 2010's event - to which we waiting in a line longer than the average street.

I will post my findings after my visit - along with any other worth while things I encounter during my visit to London.

Tuesday, December 14, 2010

Furniture Design: Implosion!








Welcome to our final outcome - our light installation development video. 


There was a minor disaster early on the morning of the presentation, as when the final arch was moved to make space for the 4th years critique session, the arch collapsed. Fragile, much.


With help from Malcolm the interiors workshop technician however, it was erected again and put on display in the Level 5 Matthew Gallery space for presentation. A series of stills were shown interlaced with short video clips of the processes we went through during out time in the workshop. Among our presentation were our final InDesign presentation sheets, which can be viewed on my Portfolio page.


We got a good reception during presentation, and with all the usual difficulties associated with group work aside - I think we are all pleased with the outcome.  Below is a series of images after the original completion:








Sunday, December 5, 2010

Furniture Design: From Pallet To Paper


Finally I feel as though we have got somewhere. Yay!

I was unable to get into the workshop during much of the bad weather, but alas - my group battled on. By Friday we were in a good position workshop wise, and I am continuing with putting together our InDesign presentation sheets at home. Below is our first few pages to give an idea of the style we are going for. 

We have been given a short extension from Friday 10th December to Monday 13th December, with presentations taking place on the 14th. This is all very well in terms of letting us have the weekend to complete tasks out with the workshop, but it's the crucial workshop time a lot of groups have lost out on, which will not be able to be re-accounted for during the extension. We, however, are going to do our best to be completed for the original target. 

initial research page, including text explaining our findings
further research into what can be done with pallets
early development, including our original communal seating area,
and the possibility of incorporating plants
break down of the pallets, explaining how we altered the original cuts


AutoCad drawings illustrating our design 

I'm currently in the process making the development sheets, including our sketch work, photoshop work, development photos and sketchup images. From there I shall create the plans sheet, and finally; final outcome sheet(s). 

We aim to document the build via a continuous shoot of still images, thus producing a stop motion performance as the final piece, however the preparation is where the hard work is. Amidst trying to clean up the pallets in their final form, and document every process for presenting it feels as though we should be nearly finished. The hard graft may be, but the final piece is far from over.

8 days to go. 

Thursday, October 14, 2010

Juteopolis: Alas, You Cannot Polish A Turd

It's the eve of our deadline.

Like I had suspected for many days now, the last minute rush has caused stress like I have never felt. Thankfully after tomorrows lecture and then presentation from our group, it is reading week. Only then, will I de-stress and perhaps partake in a little socialising. Not to mention working, as without the means you cannot partake in said socialising. 

I'm not sure which I have come to dislike more. Group work, or the project itself. It's a project that has hidden objectives, I'm sure of it. Personally, I think it's the ability to pull your weight, be noticed, and compromise that they are teaching. Sure, perhaps producing a well thought out and developed design too, might help. Just a tad.

We made it though. Hallelujah!






...pictures of this monstrosity to come!

Sunday, October 10, 2010

Juteopolis: Urgh

This is going to be a big post, so brace yourself. I need to get it off my chest.

Tonight, it was my leaving party shenanigans from a much loved job in a bar. I'd worked there a little over two years, and loved (nearly) every moment of it. I've met some of my closest friends there and the rest of them, well, they aren't so bad either. Being a sociable bunch, a slightly raving mad bunch, and a general good laugh, I had looked forward to going out with a bang this evening, as I am one of the more colourful members of staff, so to speak!

However! Due to University commitments I left the celebrations, well, early to say the least. I caught the bus at 10.55pm. How Rock'n'Roll of me. I'm just so wound up about deadlines, sketches, images, research, books, images, deadlines, presentations, scans, deadlines, did I mention...DEADLINES?

"I want my presentation to be good,
and I want it done NOW!"
There was an old lady on my bus on the way home, who was crying. I felt so bad. Then I wondered what I would be like at her age. I wondered if she was crying because she messed up a project at University, which lead to her not getting her exchange opportunity, therefore employers didn't see anything extra special such as an exchange on her C.V. - so due to all that, was doomed to a life working in a bar in Dundee, and retiring with her free bus pass and hating her life. Life can snowball like that, after all. Right now, I know I'm being a melodramatic drama queen, but it's how I get things done. Assume the worst, over anticipate, over plan, and it works out. Because it has to.

1. Make list
2. Tick off making list
3. Tick off, ticking off making list..
I tried to take the bull by the horns early on in this project to make sure things were delegated into manageable task loads, thinking that, in the long term things would pan out evenly, allowing for a smooth decent towards the presentation. Boy, did I get that wrong.

See, I always make lists. Plans. Lists of what to eat this week. Lists of things to remember the following day. Lists of things around the house needing done. Lists of lists. And so on. This usually means I can calmly manage my time and not worry about my deadline so much. In fact, the last project during the previous term, I was completely finished and had my presentation pinned up 2 whole days in advance, leaving some relaxing time for a pint.

Clearly, this is not common practice.

"I want 10 new strands of these
tiger hairs sewn in, or Rocket Man
is coming off the set list! "
I feel like Elton John, taking a hissy fit and refusing to go on stage because the lights are not the correct angle, or I have 3 (of my 12 actual) strands of hair out of place. But jokes aside, I really am so stressed. I'm getting bitter, nasty, snappy, bitchy and the rest. It's like trying to keep a lid on an extremely volatile can of worms, and I'm terrified of the inevitable explosion. It's not a matter of if, but when.





The clocks ticking!

kaboom!



Monday, October 4, 2010

Juteopolis: Tonight Matthew, I'm going to be an Engineer

*snore*
Today, myself and Christina went to go and speak with the Head of Engineering, Dr. Robert Keatch. After cautiously snooping around the Mechanical Engineering department, and looking completely out of place with my leopard print earrings, Beetlejuice jacket and SLR, and Christina dressed somewhat like an eager October Santa, we finally got directed toward the right place by a kind couple of students who took pity on us poor, intellectually inferior, design students.

I did however manage to cast my mind back to 5 years ago, in higher Physics where I learned about diodes and not gates. This impressed him, as I suspected he thought we would aim to resolve this armed with some poster paint. Christina's vacant expression however, needed no further explanation. By the time we left, we had done two things; resolved our issue and come to the conclusion that our design was in fact possible (and was actually reasonably simple), and also managed to shock a Doctorate in Engineering at the (poor) level of the average persons knowledge of his field. Whoops!

the partition allows for
two separate exhibition
spaces
All in all, he actually was down to earth with us about it, and didn't make fun of us too much. I say too much, he did say he'd hide if we needed his help in the future. Turns out that what we are trying to do is virtually the same process as a newspaper printing press, and also, as I pointed out, similar to that of the process involved of pressing aluminium into tin foil. I can actually now thank my Dad for subjecting me to these awful how-to programs! This however, does not mean I will not watch them at my own free will, Dad.

 the partition provides two
separate experiences. One
based on industry, the other
society.
We then also made a quick trip to the DCA to get some pictures of the area that relate better now we know how we would like the partition set out. Fortunately for us, it was laid out exactly how we had planned. Win!

It was also rather handy that the windows currently had black-out blinds pulled, again - exactly how we had planned. It gave it a much better sense of how it would work out if we actually got the opportunity to exhibit our design. The projector being set up gave us a rough idea of the lighting effect we would get, as part of our space is to be lit using words written in light. Anyhoo, enough chit chat, hi ho, hi ho, it's back to work I go...

Friday, October 1, 2010

Juteopolis: Group Work FTW!

Evidently Norman had not looked after
mothers raw jute wig as well as she
would of liked. Useless boy.
Firstly, I shall get the basics over with, and quickly get you folks up to speed on the first project of the semester. Initially we were introduced to Louise Ritchie, who would later be our mock client for the project. Her aforementioned exhibition, aptly entitled "Juteopolis", was an installation of a series of wooden cubes, which had been designed based upon artists interpretations of the jute industry that had once been thriving in the Dundee area.


The brief which we had been issued, was essentially to design an exhibition space within a predefined space in Dundee's Contemporary Arts centre (that's the DCA to you, me, and anybody else who likes a tipple in their appropriately named bar, "Jute"), which was inspired by Juteopolis. It could display and/or promote the history of Dundee's jute era, question the future of jute in Dundee or exhibit an installation that had been created upon researching into the area. It also had to have several key elements, such as being sustainable, and transportable, as hypothetically it would be a potential travelling exhibition.


After deciding upon our groups in which we would be working in over the course of the project, we had to obviously map out our strengths within our groups. As we got into talking amongst ourselves, it became apparent we had a wide range of strength that we would be able to play to, which is, quite frankly, not only rare, but extremely lucky! The group as a whole did not get off to a fantastic start for one reason or another as various absences amongst us caused us to fall temporarily behind. This however, did not phase us, and soon we picked up the pace, if anything overtaking those other tortoises. However, as the story goes, haring it to the finish does not always bode well. Slow and steady after all, wins the race.


Currently the research has increased tenfold, and after deliberating over several ideas we have come to an outcome that has gone down well amongst tutors and clients alike. Most of the groups are reasonably hush hush about their ideas and designs, so in fear of being outcast from my group, I shall refrain from detailing our final designs until after deadline. Then all shall be revealed. Oh how exciting!


On a general note; I think working in groups is a lesson in itself, as nobody will work in industry in a one man band practise, it just aint gonna happen. Therefore, regardless of anybody's outcomes after the next week or so, the lessons learned in terms of compromise within teamwork will be invaluable.


As I said, group work ftw!

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